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Archive for the ‘Album’ Category

The Cannonball Adderley Quintet – Norman Granz’ Jazz At The Philharmonic: Paris, 1960l Adderley Quintet, The – Norman Granz’ Jazz At The Philharmonic: Paris, 1960 (Bohemia after Dark)

In Album, Bohemia After Dark on February 21, 2009 at 8:48 am
  • Label: Pablo Records

cannonb

  • Catalog#: PACD-5303-2
  • Format CD, Album
  • Country US
  • Released 1997

 Credits

  • Bass – Sam Jones 
  • Cornet – Nat Adderley 
  • Drums – Louis Hayes 
  • Piano – Victor Feldman 
  • Producer – Norman Granz 
  • Saxophone [Alto] – Cannonball Adderley

Notes : Recorded at Salle, Paris on Nov. 25, 1960. Previously unreleased. 
Total playing time: 56:46bohemia-back

Songs:

 

  • Introduction by Norman Granz
  • Jeannine
  • Dis Here
  • Blue Daniel
  • The Chant
  • Bohemia after Dark
  • Work Song

The Cannonball Adderley Quintet, – Mercy, Mercy, Mercy

In Album, Mercy Mercy Mercy on February 20, 2009 at 10:08 pm
  • Label: Emidisc (2), Capitol Recordsmercy
  • Catalog#: C 048-50 710, 1C 048-50 710
  • Format: Vinyl, LP, Album
  • Country: Germany
  • Style:  Soul-Jazz, Hard Bop

Credits:

Bass – Victor Gaskin 
Cornet – Nat Adderley 
Drums – Roy McCurdy 
Piano – Joe Zawinul 
Saxophone – Cannonball Adderley

Racklisting:

  • Introduction
  • Fun Written-By – Nat Adderley
  • Games   Written-By – Nat Adderley
  • Mercy, Mercy, Mercy   Written-By – Josef Zawinul*
  • Sticks Written-By – Julian Adderley*
  • Hippodelphia   Written-By – Josef Zawinul

  • Sack O´Woe  Written-By  Julian Adderley

Listen Here – Eddie Harris

In Album, Bio, Listen Here on February 20, 2009 at 10:01 pm
  • Date de sortie d’origine: novembre 1992
  • Label: Enja
  • ASIN : B000025TZM

listenher1

Liste des titres

  • 1. Funkaroma
  • 2. I Need Some Money
  • 3. Listen Here Hi Life
  • 4. People Get Funny When They Get a Little Money
  • 5. Is It In?
  • 6. How Can I Find Some Way to Tell You
  • 7. Walkin’ the Walk
  • 8. Fusion Jazz Dance

Acid Jazz jackets

In Album on February 10, 2009 at 9:48 pm

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trudypitts-martino-acid
eacidhammond-acid-jazz

Charles Mingus – Ah Um – Goodbye Pork Pie Hat

In Album, Good Bye Pork Pie Hat on February 10, 2009 at 9:41 pm

Mingus Ah Um est un album de jazz signé Charles Mingus mis sur le marché en 1959. 

albumcovercharlesmingus-mingusahum

Il est le prolongement du mouvement

 d’évolution vers le bebop, puis le free-jazz, entammé avec Pithecanthropus Erectus 3 ans auparavant. Produit par Atlantic Records, cet album reste l’un des plus importants de Charles Mingus, et aura une influence majeure sur les artistes qui suivront.

Musiciens 

  • Contrebasse : Charles Mingus
  • Saxophone : Booker Ervin and John Handy
  • Trombone : Willie Dennis and Jimmy Knepper
  • Piano : Horace Parlan
  • Batterie : Dannie Richmond

Titres 

  • 1. Better git it in your soul
  • 2. Goodbye pork pie hat. (Hommage à Lester Young)
  • 3. Boogie stop shuffle
  • 4. Self-Portrait in three colors
  • 5. Open letter to duke
  • 6. Bird calls
  • 7. Fables of faubus
  • 8. Pussy cat dues
  • 9. Jelly roll
  • 10. Pedal point blues
  • 11. GG train
  • 12. Girl of my dreams

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Autre label: Read the rest of this entry »

Thelonious Monk Blue Note Sessions (Well you Needn’t)

In Album, Well You Needn't on February 10, 2009 at 11:07 am

Jazz pianist Thelonious Monk’s first sessions as a bandleader were recorded between 1947 and 1952, and released on Blue Note records as a series of 78 RPM singles. These singles were then compiled in later years–with additional performances from the sessions–into long-playing album formats. As Monk’s reputation and fame grew, the sessions were recompiled again and again into more complete configurations. This article details various releases of these sessions.

monk_1967

Thelonious Monk, foreground, performing at Expo 67in Montreal. (Credit: Library and Archives Canada)

The Sessions

The Blue Note recordings were made over the course of six different sessions. “Versions” refers only to the number of eventually-released performances; other takes may have been recorded.

All compositions by Thelonious Monk unless otherwise noted.

Session 1: October 15, 1947

1. Humph
2. Evonce (Idrees Sulieman – Ike Quebec) [2 versions]
3. Suburban Eyes (Ike Quebec) [2 versions]
4. Thelonious

Session 2: October 24, 1947

5. Nice Work If You Can Get It (G. Gershwin, I. Gershwin) [2 versions]
6. Ruby My Dear [2 versions]
7. Well You Needn’t [2 versions]
8. April In Paris (Vernon Duke – E. Y. Harburg) [2 versions]
9. Off Minor
10. Introspection

Session 3: November 21, 1947

11. In Walked Bud
12. Monk’s Mood
13. Who Knows? [2 versions]
14. ‘Round Midnight

Session 4: July 2, 1948

15. Evidence
16. Misterioso [2 versions]
17. Epistrophy (T. Monk – Kenny Clarke)
18. I Mean You
19. All The Things You Are (Jerome Kern – Oscar Hammerstein)
20. I Should Care (Cahn – Stordahl – Weston)[2 versions]

Session 5: July 23, 1951

21. Four in One [2 versions]
22. Criss Cross [2 versions]
23. Eronel (Monk – Sulieman – Hakim)
24. Straight, No Chaser
25. Ask Me Now [2 versions]
26. Willow Weep For Me (Ann Ronnell)


Session 6: May 30, 1952

27. Skippy [2 versions]
28. Hornin’ In [2 versions]
29. Sixteen [2 versions]
30. Carolina Moon (B. Davis – J. Burke)
31. Let’s Cool One
32. I’ll Follow You (R. Turk – F. Ahlert)

Personnel

  • Thelonious Monk – piano
  • Art Blakey – drums (sessions 1, 2, 3, 5)
  • Shadow Wilson – drums (session 4)
  • Max Roach – drums (session 6)
  • Gene Ramey – bass (session 1, 2)
  • Bob Paige – bass (session 3)
  • John Simmons – bass (session 4)
  • Al McKibbon – bass (session 5)
  • Nelson Boyd – bass (session 6)
  • Milt Jackson – vibraphone (4, 5)
  • Idrees Sulieman – trumpet (session 1)
  • George Taitt – trumpet (session 3)
  • Kenny Dorham – trumpet (session 6)
  • Danny Quebec West – alto saxophone (session 1)
  • Sahib Shihab – alto saxophone (sessions 3, 5)
  • Lou Donaldson – alto saxophone (session 6)
  • Billy Smith – tenor saxophone (session 1)
  • Lucky Thompson – tenor saxophone (session 6)
  • Kenny “Pancho” Hagood – vocal (session 4, songs 19 & 20)

Singles

Blue Note 78 rpm series (12 inch 78 rpm)

BN 543 Well, You Needn’t (BN314-0)/ ‘Round About Midnight (BN321-1) 

 

The Electrifying Eddie Harris (Album review) Listen Here

In Album, Listen Here on January 25, 2009 at 3:32 pm

harriselec

THE ELECTRIFYING EDDIE HARRIS:

Recorded in New York, New York on March 14-15, 1968.

Recorded at Atlantic Recording Studios, New York, New York on April 20, 1967. Includes original release liner notes by Ray Allen, this LP is one of tenor saxophonist Eddie Harris’s most significant albums. Rolling Stone called Eddie’s hit single Listen Here a space funk classic with it’s inventive use of electronic effects also features the groovy Sham Time and the incredible Theme In Search Of A Movie New exclusive liner notes by Mitch Myers audiophile Re mastering from the original master tapes 80 gram HQ vinyl & original artwork”


2 LPs
on 1 CD: THE ELECTRIFYING EDDIE HARRIS (1967)/PLUG ME IN.

Personnel:

Eddie Harris (tenor saxophone, electric saxophone); King Curtis, David Newman (tenor saxophone); Haywood Henry (baritone saxophone); Melvin Lastie, Joe Newman (trumpet); Jodie Christian (piano); Melvin Jackson (bass); Richard Smith (drums); Ray Barretto, Joe Wohletz (percussion).

Producer: Arif Mardin.
Engineer: Phil Iehle.

Personnel: Eddie Harris (electric tenor saxophone); Haywood Henry (baritone saxophone); Melvin Lastie, Jimmy Owens, Joe Newman, James Bossy (trumpet); Tom McIntosh, Garnet Brown (trombone); Jodie Christian (piano); Melvin Jackson, Ron Carter (bass); Chuck Rainey (electric bass); Richard Smith, Grady Tate (drums).

Producer: Joel Dorn.

Tracks:

  • Theme In Search Of A Movie
  • Listen Here
  • Judie’s Theme
  • Sham Time
  • Spanish Bull
  • I Don’t Want No One But You

Dollar Brand (Abdullah Ibrahim) Banyana Children of Africa – Ishmael

In Album, Bio, Ishmael on January 20, 2009 at 10:53 pm

Abdullah Ibrahim (born 9 October 1934 in Cape Town, South Africa), formerly known as Adolph Johannes Brand, and as Dollar Brand, is a South African pianist and composer. His music reflects many of the musical influences of his childhood in the multicultural port areas of Cape Town, ranging from traditional African songs to the gospel of the AME Church and ragas, to more modern jazz and other Western styles. Within jazz, his music particularly reflects the influence of Thelonious Monk and Duke Ellington.

He first received piano lessons at the age of seven, was an avid consumer of jazz records brought by American sailors, and was playing jazz professionally by 1949. In 1959 and 1960, he played alongside Kippie Moeketsi with The Jazz Epistles in Sophiatown before joining the European tour of the musical King Kong.

Children of Africa  

 

 

Banyana - Children of Africa

Banyana - Children of Africa

  • Label: Enja Records
  • Catalog#: enja 2070
  • Format: Vinyl, LP
  • Country: US
  • Released: 1976
  • Style: Free Jazz, Soul-Jazz

Credits: 

  • Bass – Cecil McBee 
  • Drums – Roy Brooks 
  • Piano, Saxophone [Soprano], Vocal – Dollar Brand 
  • Producer – Horst Weber , Matthias Winckelmann

 

Tracklisting:banyanaback

  • Banyana – The Children of Africa (1:59)
  • Asr (8:14)
  • Ishmael (12:14)
  • The Honey-Bird (6:19)
  • The Dream (6:40)
  • Yukio-Khalifa (10:20)

Dizzy Gillespie Quintet – An Electrifying Evening With The Dizzy Gillespie Quintet – Night in Tunisia

In A Night In Tunisia, Album on January 20, 2009 at 10:33 pm

Dizzy Gillespie Quintet – An Electrifying Evening With The Dizzy Gillespie Quintet

  • Label: Verve Recordsnight
  • Catalog#: V6-8401
  • Format: Vinyl, LP, Album
  • Country: US
  • Released: 1961
  • Style: Bop, Soul-Jazz, Latin Jazz

Credits:

 

  • Bass – Bob Cunningham 
  • Drums – Chuck Lampkin 
  • Piano – Lalo Schifrin 
  • Saxophone, Flute – Leo Wright 
  • Trumpet – Dizzy Gillespie

Notes: Recorded in concert at The Museum Of Modern Art, NYC, February 9, 1961

Tracklisting:

  • Kush (10:32)
  • Salt Peanuts (7:02)
  • Night In Tunisia (6:40)
  • 11:32 (11:32)