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Caravan (Duke Ellington)

In Album, Caravan on February 21, 2009 at 11:35 am

duke-ellington

Caravan” composed by Juan Tizol and first performed by Duke Ellington in 1937. Tizol also composed “Perdido” for the Ellington band. The lyrics were written by Irving Mills, but as many versions are instrumental he is sometimes not listed. The song is variously seen as the first Latin jazz song or as a Mideastern influenced jazz song. Its “exotic” sound made it of interest to Exotica musicians so it was covered by both Martin Denny and Arthur Lyman. It has appeared in two Woody Allen films, Alice and Sweet and Lowdown. Even rap musicians Redman and Busta Rhymes sampled the song heavily in their 1998 song “Da Goodness” (from Redman’s album Doc’s da Name 2000).

 

First version

 

The first version of the song was recorded on December 19, 1936, performed by Barney Bigard And His Jazzopators in Hollywood. Two takes were recorded, of which the first (Variety VA-515-1) was published.

It is noteworthy that on the Barney Bigard 78 recording, the composer of the song is listed on the record label as “Juan Tizol”.

Performers:

  •  Cootie Williams (trumpet),
  •  Juan Tizol (trombone),caravan1
  • Barney Bigard (clarinet),
  • Harry Carney (baritone sax),
  • Duke Ellington (piano),
  • Billy Taylor (bass)
  • Sonny Greer (drums).

 

Canyon Lady (Joe Henderson)

In Album, Canyon Lady on February 21, 2009 at 9:52 am

joe-henderson

Speaking of charisma, Henderson brings a ton of it to 1973’s Canyon Lady. Many of the small, narrow minds who comprise the jazz media would have us believe that Henderson’s electric Milestone output of the 1970s was a waste, but in fact, the tenorist was a wealthy of creativity during that decade-and Canyon Lady is a fine example. Henderson brings Latin overtones to the haunting title song and his own “Las Palmas,” and his passionate playing on the ballad “Tres Palabras” has a rather Gato Barbieri-ish quality. Canyon Lady isn’t outright Latin jazz a la Cal Tjader or Tito Puente, but the Latin element is definitely there.

  • Audio CD (August 19, 1997)
  • Original Release Date: October 1973
  • Label: Ojc
  • ASIN: B000000Z3Y

Content:

  • Tres Palabras (10:09)
  • Las Palmas (9:56)
  • Canyon Lady (9:06)
  • All Things Considered (8:37)

 

Players:

  • Hadley Caliman – Flute, Sax (Tenor) 
  • George Duke – Bass, Percussion, Piano, Drums, Piano (Electric) 
  • Joe Henderson – Sax (Tenor), Remixing 
  • Mark Levine – Piano 
  • Julian Priester – Trombone 
  • Luis Gasca – Bass, Percussion, Piano, Trumpet, Arranger, Conductor, Drums, Flugelhorn 
  • John Heard – Bass 
  • Ray Pizzi – Flute 
  • Francisco Aguabella – Conga 
  • Oscar Brashear – Trumpet 
  • Nicholas Ten Broeck – Trombone 
  • Vince Denham – Flute 
  • Carmelo Garcia – Timbales 
  • Eric Gravatt – Drums 
  • John Heart – Bass 
  • John Hunt – Trumpet 
  • Victor Pantoja – Conga 
  • Jim Stern – Engineer

The Cannonball Adderley Quintet – Norman Granz’ Jazz At The Philharmonic: Paris, 1960l Adderley Quintet, The – Norman Granz’ Jazz At The Philharmonic: Paris, 1960 (Bohemia after Dark)

In Album, Bohemia After Dark on February 21, 2009 at 8:48 am
  • Label: Pablo Records

cannonb

  • Catalog#: PACD-5303-2
  • Format CD, Album
  • Country US
  • Released 1997

 Credits

  • Bass – Sam Jones 
  • Cornet – Nat Adderley 
  • Drums – Louis Hayes 
  • Piano – Victor Feldman 
  • Producer – Norman Granz 
  • Saxophone [Alto] – Cannonball Adderley

Notes : Recorded at Salle, Paris on Nov. 25, 1960. Previously unreleased. 
Total playing time: 56:46bohemia-back

Songs:

 

  • Introduction by Norman Granz
  • Jeannine
  • Dis Here
  • Blue Daniel
  • The Chant
  • Bohemia after Dark
  • Work Song

The Cannonball Adderley Quintet, – Mercy, Mercy, Mercy

In Album, Mercy Mercy Mercy on February 20, 2009 at 10:08 pm
  • Label: Emidisc (2), Capitol Recordsmercy
  • Catalog#: C 048-50 710, 1C 048-50 710
  • Format: Vinyl, LP, Album
  • Country: Germany
  • Style:  Soul-Jazz, Hard Bop

Credits:

Bass – Victor Gaskin 
Cornet – Nat Adderley 
Drums – Roy McCurdy 
Piano – Joe Zawinul 
Saxophone – Cannonball Adderley

Racklisting:

  • Introduction
  • Fun Written-By – Nat Adderley
  • Games   Written-By – Nat Adderley
  • Mercy, Mercy, Mercy   Written-By – Josef Zawinul*
  • Sticks Written-By – Julian Adderley*
  • Hippodelphia   Written-By – Josef Zawinul

  • Sack O´Woe  Written-By  Julian Adderley

Listen Here – Eddie Harris

In Album, Bio, Listen Here on February 20, 2009 at 10:01 pm
  • Date de sortie d’origine: novembre 1992
  • Label: Enja
  • ASIN : B000025TZM

listenher1

Liste des titres

  • 1. Funkaroma
  • 2. I Need Some Money
  • 3. Listen Here Hi Life
  • 4. People Get Funny When They Get a Little Money
  • 5. Is It In?
  • 6. How Can I Find Some Way to Tell You
  • 7. Walkin’ the Walk
  • 8. Fusion Jazz Dance

La Clef

In Events, Media on February 19, 2009 at 3:49 pm

la-clef

Bobby Few biographie

In Bio on February 18, 2009 at 9:55 pm

 

Bobby Few

Bobby Few

Bobby Few was born in Cleveland, Ohio, in a family of musicians: his father always listened to jazz, his mother played violin and his uncle the trumpet.

 

He came from a very religious family (his grand father was a Baptist minister) which, without a shadow of a doubt, nourished his music spiritually.

Bobby Few was only 7 when he studied piano and later musical theory and composition at the Cleveland Institute of Music. He had two private teachers of splendid reputation.

At 16, he started playing in jazz clubs in Cleveland, his hometown.

One evening, he met Ella Fitzgerald who was so touched by his tender age that she encouraged him to pursue his path.

 

Soon after, Bobby Few created his own trio and played throughout the USA.

 

In the early 60’s, urged by Albert Ayler, Bobby Few went to New York. There, he made a first record with Booker Ervin “The In Between” (BLUE NOTE) then a second one with Albert Ayler intitled “Music Is The Healing Force of the Universe” (IMPULSE), both recently reedited.

He also played with Brook Benton, a rhythm and blues singer, with whom he toured the world. Later, Bobby Few became Benton’s musical director. Moreover, he played in the 60’s at the Playboy club where they had a marvellous experience.

Then, concert after concert, Bobby Few worked with many prestigious artists such as Archie Shepp, Kenny Clarke, Frank Wright, Joe Henderson, Woody Shaw, Sunny Murray, Roland Kirk, Nat Adderley, Frank Foster, David Murray, Bill Dixon, Albert Ayler or Steve Lacy with whom he toured the world from 1980 until 1992.

During his rich and fruitful career, Bobby Few also took part in more than 70 recordings: the latest untitled “Kindred Spirits”, produced by Box Holder Records (New York), will be released in April 2005.

Bobby Few has lived in Paris since 1969, a town where he found his artistic and intellectual equilibrium. Since 1993, he has directed his own trio and quintet.

His musical influences are deeply rooted in jazz with musicians such as Erroll Garner, Thelonious Monk, McCoy Tyner or Cecil Taylor… However classical music has also played an influential role. Few says: “Classical music is one of the avenues leading to jazz because it gives a direction in the harmonic progressions of jazz.”bobbyfew

Thus, Bobby Few’s music is therefore the fruit of his numerous musical experiences. He is motivated by eclecticism, new sounds and new musical colours. He has succeeded in making us understand that music is universal. Thanks to his music, he sends us a message of peace, altruism and spirituality: he unites all peoples, whatever their colour, culture or origin.

The Key to Jazz” à Conflans Ste Honorine

In Events on February 10, 2009 at 10:55 pm

 

“The Key to Jazz” à Conflans Ste Honorine

Organisé par : Festival Jazz de Conflans
Type : Musique/Arts – Concert
Où : Conflans-Sainte-Honorine, France
Quand : vendredi 13 mars de 20:00 à 23:00

Mercy Mercy Mercy

In Live, Mercy Mercy Mercy on February 10, 2009 at 10:10 pm

Guitare solo here

 

Acid Jazz jackets

In Album on February 10, 2009 at 9:48 pm

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