A nice work & video from lilworks
and the transcription here: Funk-In-Deep-Freeze-Art-Farmer-Solo (Guitar transcription)
A nice work & video from lilworks
and the transcription here: Funk-In-Deep-Freeze-Art-Farmer-Solo (Guitar transcription)
Night Dreamer is the fourth album by American jazz saxophonist Wayne Shorter. It was released in November 1964 by Blue Note Records With a quintet that includes trumpeter Lee Morgan, pianist McCoy Tyner, bassist Reggie Workman and drummer Elvin Jones, Shorter performed six of his originals on this April 29 session.
In 2005, it was reissued as part of the RVG Edition series with liner notes by Nat Hentoff
Concept and compositions
At this point of his career, Shorter felt his writing was changing. While the previous compositions had a “lot of detail”, this new approach had a simplistic quality to it. “I used to use a lot of chord changes, for instance, but now I can separate the wheat from the chaff.”
In an interview with Nat Hentoff, Shorter focused on the album’s meaning: “What I’m trying to express here is a sense of judgment approaching – judgment for everything alive from the smallest ant to man. I know that the accepted meaning of “Armageddon” is the last battle between good and evil – whatever it is. But my definition of the judgment to come is a period of total enlightenment in which we will discover what we are and why we’re here.”
“Night Dreamer” has mostly a minor feel, often perceived by Shorter as “evening or night”, hence the “Night” in the title. It is a 3/4 “floating” piece, yet, “although the beat does float, it also is set in a heavy groove. It’s a paradox, in a way, like you’d have in a dream”. This explains the “Dreamer” part. Shorter first heard “Oriental Folk Song” as the theme for a commercial, then he discovered it was an old Chinese song. He meant “Virgo” (Shorter’s sign) to be “optimistic”, whilst in “Black Nile” he tried to get a flowing feeling, like a “depiction of a river route.” “Charcoal Blues” should represent a sort of backtracking piece, linking the past and the present time together: “The old blues and funk were good for their times and place, but what I’m trying to do now is to get the meat out of the old blues while also presaging the different kind of blues to come. […] I’m both looking back at the good things in those older blues and also laughing at that part of my background”. Shorter underlines that the laughter is not mocking but satirical, “from the inside”. Ultimately, “Armageddon” was considered by Shorter as the focal point of the album.
Track listing
All compositions by Wayne Shorter
Musicians
Additional personnel
“Recorda Me” (Remember Me) is a jazz standard by the saxophonist Joe Henderson. It was introduced on Henderson’s debut album Page One, in 1963. This album also featured the first recording of the jazz standard “Blue Bossa”, written by trumpeter Kenny Dorham
The saxophonist wrote the composition at the age of 15 in a Latin style, but later modified it with a bossa nova rhythm. It was recorded by Henderson on subsequent albums, including an uptempo version named “No Me Esqueca” (Do Not Forget Me) on In Pursuit of Blackness and an arrangement named “Recuérdame” (Spanish) on the Big Band album.
He recorded live versions on Joe Henderson Quintet at the Lighthouse and in the 1985 film and recording One Night with Blue Note with Freddie Hubbard, Herbie Hancock, Ron Carter and Tony Williams. The composition is used widely in jazz education programs and jazz songbook compilations.
Chord changes for “Recorda Me”:
‖: A–6 | A–6 | A–6 | A–6 |
‖ C–6 | C–6 | C–6 | C–6 F7 ‖
‖ B♭maj7 | B♭–7 E♭7 | A♭maj7 | A♭-7 D♭7 |
| G♭maj7 | G-7 C7 | Fmaj7 E7♭9| E7♭9 :‖
Other versions
“Recorda Me” has been covered by many other musicians including:
Hank Mobley Quintet is an album by jazz saxophonist Hank Mobley released on the Blue Note label in 1957 as BLP 1550. It was recorded on March 8, 1957 and features Mobley, Art Farmer, Doug Watkins, Horace Silver, and Art Blakey. It was remastered in 2008 by Rudy Van Gelder.
The Allmusic review by Steve Leggett awarded the album 4.5 stars, stating: “Mobley might not have been out there pushing the envelope with his instrument, but here he plays with confidence and lyrical economy, making this easily one of his best outings.”
Track listing All compositions by Hank MobleyThe complete music sheet and solo here:
So What Solo Complet (Ronny Jordan),
and more in the library section
Originaly released in Backlash, this composition of Freddie Hubbard has been played by many others artists.
Freddie Hubbard updated with the aid of Al Jarreau’s lyrics and vocals. Composed in mostly minor keys, the song is perfect for lazy listening, introspection, or meditating.
the part here; Little Sunflower
Backlash
Backlash is a 1966/1967 album by trumpeter Freddie Hubbard, his first released on the Atlantic label. It features performances by Hubbard, James Spaulding, Albert Dailey, Bob Cunningham, Otis Ray Appleton and Ray Barretto. This is Hubbard’s twelfth overall album.
tracks:
All compositions by Freddie Hubbard except as indicated
Hello, here under a simple score sheet for Nica’s Dream, from Horace Silver and a midi file.
arrangement: Jacques de Lignières
and a background made with i RealPro (midi file): Nica’s Dream (180 Bpm) AABA x 5.
Pretty sure, that you can find better one. 🙂
Now, the scales which you could use
partition et gammes Nica’s dream